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Pheasant

I have been looking forward to attempting a more realistic Pheasant for a while now, it was the subject of one of my very early pieces of textile art.  You can read this early blog from March 2015 here.

The aim is to create a set of  four or five of our the beautiful game birds in the UK.  These will most likely include the Red Legged Partridge, the Red Grouse,  the Black Grouse, the Woodcock or Snipe .

 I have approached this piece with a certain amount of trepidation as pheasants are so highly marked with so many feather patterns across their body.

Carl Bovis, a nature photographer from Somerset has taken many beautiful photographs  of pheasants, capturing their iridescence and feather patterns.  Carl has been kind enough to let me base pieces on his work.  More of his work can be seen on his ever changing blog carlbovisnaturephotography.blogspot.co.uk

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I have written in earlier blog posts about how much I have also been inspired by artists in my family both amateur and professional.  My Grandfather was a miner, amongst other things during his life.  He took himself to evening classes (probably through the WEA – Workers Educational Association) to improve his talent for drawing and painting.  Below is one of his pieces of ink on wood made into a tray based on a Cock and Hen pheasant.

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Selecting fabrics for a new piece is one of my favourite stages.  The colours and textures for this piece were especially inspiring.  Male Cock pheasants vary hugely in their colours and feather patterns, some can be quite dull, others unbelievably vivid.

I have lived with this chap at this stage for a number of weeks, afraid to start stitching, in fear of messing up his chest feathers.

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Unsure of how heavily I would be stitching him I decided to make him in a hoop rather than on the backing fabric.

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I was (probably due to fear) unusually grown up with this piece and prepared samples to test both thread colours and stitch patterns.

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Enough was enough and stitching finally started.  As usual I started with the eye, which compared to many of my pieces was very small, this came with its own complications, with the fabric catching on the hoop and the needle pressing the tiny piece of fabric into the larger pieces of fabric beneath.

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On to the fun part, the head and neck.  The jewel like colours of the threads start to build up the feathers.

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Using a real pheasant tail feather as reference.

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Back and tail complete, legs to be sewn once he is placed on the backing fabric.

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Final stitch details will be added when he is on the backing material.  My thought is to stitch some grass and possibly heather details around his feet to complete the piece.

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I hope to be posting the final stages of this piece over the coming weeks.

Thanks for reading.

 

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The Long-tailed Tit

Somerset is a beautiful county to live in, we are surrounded by stunning scenery and wildlife.  Capturing this beauty in photographs is certainly not a skill I possess, I do not have the patience, eye or equipment.  Thanks to social media I came across a wonderful nature photographer based in Somerset called Carl Bovis.  Carl has been kind enough to let me use his photographs as inspiration for my textile work.

I really recommend taking a look at his ever changing and inspiring blog which you can read here carlbovisnaturephotography.blogspot.co.uk

This is the first of at least two of his photographs I hope to base pieces on for  Somerset Art Weeks Festival in October this year at North Wootton Village hall.

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I love this photograph, the seed head and position of the bird make a perfect composition.

Long-tailed Tits are such characters, they follow us along hedge rows, busily chatting in a large group always slightly ahead of us walking.

Below you can see the quick watercolour I made to get a feel for the colours I would need to search for in fabrics and threads.

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The initial selection of possible fabrics for bird and background.

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The bird pieced and ready for stitching.  In the end I used just 6 fabrics .  The long tailed tit is a really fluffy little chap so I imagined at this stage that he would be fairly heavily stitched.

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I selected the very busy background to mimic the green background of the original photograph and to enhance the appearance of numerous seed heads along a hedgerow.

Below, the  piecing stage is complete and ready for stitching.

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A selection of possible threads.

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Below, starting to add texture and depth to the bird.

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As you can see, this is very much a work in progress.  October and the Somerset Arts Week is seeming rather near now.  But finally I am feeling focused and have a number of pieces on the go.  The trouble with this is remembering to return and finish pieces (my least favourite part!) when the excitement of researching a new bird calls!!!

Oh to be a completer-finisher!

 I hope to show this at its next stage soon….