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‘Chorus Line’

With the first of three exhibitions with the Contemporary Quilters West fast approaching all the pictures are now complete and at the framers!

Following on from the earlier blog about the creation and inspiration of this Starling piece I finally have the finished image.

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‘Chorus Line’ Starling

This piece included lots of small painted details and hand stitching.  I really enjoyed the hand stitching, though it was a struggle to get the needle through some of the very heavily machine stitched areas – great to try some new techniques though.

You can see this piece plus three others at Harbour House Gallery in Kingsbridge, Devon, TQ7 1JD between the 27th of April and the 3rd of May 2018.

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Starling – ‘Chorus Line’

Murmurations are one of nature’s wonders, as they pass overhead you have to stop, listen and watch.  Living near the Somerset levels they are part of our seasonal cycle.

Starlings are not a particularly popular bird, greedy on our feeders, intimidating smaller ‘prettier’ birds.  However, the beauty of their feathers can be seen in bright sunshine, iridescent, detailed and glossy.   As a large group they fascinate us, reconnecting us with the natural world on our doorstep.

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To read more about Murmurations click here.

The beautiful photograph above taken by Carl Jones was the starting point for this piece.   Carl takes the most wonderful photographs and I would like to thank him for giving me permission to use this photograph for inspiration.  A quick watercolour allowed me to consider the colour and textures of the bird ready to start selecting suitable fabrics.

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The startling feathers contain so many colours, the fabric choice produced quite a variety.  The outline sketch allowed me to colour block the image ready for fabric selection.

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Fabrics selected and cut to size, the bird started to emerge.

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We get thousands his starlings in this area and one of the ways I regularly see them is gathering in huge numbers on overhead wires – ready to take off at a moments notice.

Trying to capture this scene took a few attempts but this final version started with a backing fabric which contained waves of block colours and tiny dots – similar to a murmuration.  I then painted and stitched the tiny details of the birds on the wire.

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The tiny details at the end of the starlings feathers required lots of hand stitching on top of the free motion embroidery.  My hand stitching skills are gradually improving with each piece and make a really enjoyable break form the machine work.

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Below, he is almost complete, just the legs to add and final stitching details when applying him to the background.  I am awaiting the finished scanned and colour balanced image but will post as soon as I receive it.

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He is hopefully the third of four pieces to be shown at some of the Contemporary Quilters West exhibitions this year, to read more about visiting these three venues click here.

Thanks for reading.

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Osprey Continued & completed

I have been really busy the last 2-3 months producing work that I hope to have entered into a number of forthcoming exhibitions around the country.

The workshop, even with the fire and another heater has been incredibly cold but finally work for this first series of work is complete.  Blog posts and housework have been thoroughly neglected!!

The Osprey below is the first off four pieces I have had accepted on the Contemporary Quilters West ‘travelling exhibition’ this year.  You can read more about its inspiration on an earlier blog here.

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Osprey- watercolour

The watercolour above was the starting point for this piece.  I used my technique of building up fabrics to create a similar image prior to stitching using both free-motion embroidery and hand stitching.

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I start to choose possible threads as this process begins to take shape.

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15 different fabrics were used to get to this point and I was now ready to move onto the next stage.

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The imagine above shows the Osprey’s stitching, at this point about two-thirds of the stitch detail is complete.  The final important details are added when I apply this piece to the completed backing.

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I always check I am absolutely happy with the final colour combinations of the bird with the backing prior to stitching.

 

Below, the final piece.

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‘Home in sight’ Osprey

This piece can be seen at Harbour House Gallery in Kingsbridge Devon between Friday the 27th of April – May the 3rd 10-5pm.

There is an opening view between 11am and 2pm on the 27th when you will be able to meet many of the makers in our group.  I will be at the exhibition on the Friday the 27th and Saturday the 28th.

It would be lovely to see you if you are in the area.

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MQ -Out with the old & in with the new!

Midsomer Quilting, the fabulous quilting shop on the Medips in Somerset has recently moved to bigger and better accommodation.  They are still based in Chilcompton but in a new location.  Directions can be found here.

After much planning and organising the shop closed at 4pm on Monday the 25th of September with the aim of re-opening on Friday the 29th (no mean task knowing the equipment and stock involved).  But, as always De, Birgetta & Chris did not want to disappoint potential customers by being closed so with the help of friends and loyal customers the epic task began.

Hundreds of bolts of fabrics were moved during Monday evening and shelving was removed from the old shop and reinstalled on the Tuesday in the new shop.

Chris, De, and Birgetta said they could not believe the kindness of everyone who offered help.  I sometimes feel they have no idea of how much they have supported, guided and befriended so many of their customers.  I would not be enjoying the success and down right fun of my new career had it not been for me meeting these three fabulous ex teachers.  Many of us owe them a huge amount of gratitude and feel lucky to count them as great friends.

They would love to see you at their new shop and can now even boast indoor loos ( only people who have previously visited can understand what a treat that is, especially during a workshop when it’s cold and wet).

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They will shortly be opening an online shop too.  Check their website for details.

 

 

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Long Tailed Tit & SAW

Following on from a late May post, my Long-tailed Tit piece is now complete and at the framers ready for Somerset arts Week.

This piece was based on a stunning photograph by Carl Bovis.  Carl is a Somerset Photographer who has a great blog that you can link to here.

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This piece will be one of 6-7 originals that I will have on view and for sale at venue 19 during Somerset Arts week (23rd September – 7th October).

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As well as originals there will be a selection of giclee prints and greetings cards.  I am exhibiting as part of a group alongside Casey Jon, Scarlett Martin, Suzy Parker, Angie Rooke, Sarah Truscott and Hannah Willow.  The art includes, textiles, weaving, ceramics and paintings.

Venue 19 can be found at North Wootton Village Hall, 5 Pilton Rd, North Wootton, Shepton Mallet, BA4 4ET

We are open everyday between Saturday 23rd September until Saturday the 7th of October 11am – 6pm.  I hope to be there as much as possible but will not be there everyday.

Hope you can pop along and see us.

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A New Robin Workshop

A few weeks ago I held the first of my second bird themed workshops at Midsomer Quilting on the Mendips in Somerset.  Last year my 4 workshops were all based on a Barn Owl.  This year they are based on this beautiful photograph taken by Dawn Porter.

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Below a quick watercolour experimenting with the Robin on a snowy branch.

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When I’m planning a piece for a workshop, I photograph each stage and print A4 copies of these images for the class to see each part of the work in detail on the wall.  These images run alongside class notes and 3-4 templates.  I demonstrate each stage as the day goes on, allowing the class to see the progression and build up their own image.

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Thirteen lovely ladies came on the course, they were great fun and produced lots of lovely Robins.  I was so busy chatting that I completely forgot to take a photo at the end of the day showing all their progress.  Chris luckily took some photos of the group though.  The next Robin workshop at MQ will be held on Saturday the 16th of September.

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Pheasant

I have been looking forward to attempting a more realistic Pheasant for a while now, it was the subject of one of my very early pieces of textile art.  You can read this early blog from March 2015 here.

The aim is to create a set of  four or five of our the beautiful game birds in the UK.  These will most likely include the Red Legged Partridge, the Red Grouse,  the Black Grouse, the Woodcock or Snipe .

 I have approached this piece with a certain amount of trepidation as pheasants are so highly marked with so many feather patterns across their body.

Carl Bovis, a nature photographer from Somerset has taken many beautiful photographs  of pheasants, capturing their iridescence and feather patterns.  Carl has been kind enough to let me base pieces on his work.  More of his work can be seen on his ever changing blog carlbovisnaturephotography.blogspot.co.uk

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I have written in earlier blog posts about how much I have also been inspired by artists in my family both amateur and professional.  My Grandfather was a miner, amongst other things during his life.  He took himself to evening classes (probably through the WEA – Workers Educational Association) to improve his talent for drawing and painting.  Below is one of his pieces of ink on wood made into a tray based on a Cock and Hen pheasant.

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Selecting fabrics for a new piece is one of my favourite stages.  The colours and textures for this piece were especially inspiring.  Male Cock pheasants vary hugely in their colours and feather patterns, some can be quite dull, others unbelievably vivid.

I have lived with this chap at this stage for a number of weeks, afraid to start stitching, in fear of messing up his chest feathers.

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Unsure of how heavily I would be stitching him I decided to make him in a hoop rather than on the backing fabric.

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I was (probably due to fear) unusually grown up with this piece and prepared samples to test both thread colours and stitch patterns.

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Enough was enough and stitching finally started.  As usual I started with the eye, which compared to many of my pieces was very small, this came with its own complications, with the fabric catching on the hoop and the needle pressing the tiny piece of fabric into the larger pieces of fabric beneath.

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On to the fun part, the head and neck.  The jewel like colours of the threads start to build up the feathers.

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Using a real pheasant tail feather as reference.

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Back and tail complete, legs to be sewn once he is placed on the backing fabric.

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Final stitch details will be added when he is on the backing material.  My thought is to stitch some grass and possibly heather details around his feet to complete the piece.

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I hope to be posting the final stages of this piece over the coming weeks.

Thanks for reading.